Tag Archive | Rock and Roll

Bachman-Turner Overdrive

“You Ain’t Seen Nothing Yet”

November 9, 2021

This band achieved international fame when its song “You Ain’t Seen Nothing Yet,” hit number one on the Billboard charts November 9, 1974.

Simply saying the letters B-T-O is enough for most who were teenagers in the 1970’s. For those who don’t know, the group is Bachman-Turner Overdrive which, for a few short years, was able to pack stadiums and concert halls with their rock and roll music.

Randy Bachman played with a group called Brave Belt whose sound was decidedly country. That all changed one night. We go to the Infallible Wikipedia to learn about the group’s beginning:

 “…the seeds of the BTO sound were sown at a university gig in Thunder Bay, Ontario, shortly after (Chad) Allan’s departure. A promoter, disheartened with reactions to Allan’s country-flavoured songs, which the band was still playing, decided to sack Brave Belt for the Saturday night show and bring in a more rock-oriented replacement from Toronto. When that didn’t materialize, he begged Brave Belt to stay on and play a set of classic rock cover songs. As the band played songs like ‘Proud Mary’, ‘Brown Sugar’ and ‘All Right Now’, the dance floor filled up and, according to Randy, ‘We instantly saw the difference between playing sit-down music people could talk over and playing music they would jump out of their seats and dance to.’

After Reprise Records dropped Brave Belt from their label, Randy Bachman emptied his own bank account to finance another set of recordings with the Brave Belt II lineup, and began to shop around the next album. Said Randy in 1974, ‘I went to A&M, Epic, Atlantic, Columbia, Asylum – you name it. A week later, I’d get letters saying ‘Dear Randy, We pass.’ We’re thinking of calling our greatest hits album We Pass and printing all those refusals on the jacket. I’ve got all 22 of them.’

The band eventually landed a deal with Mercury Records, one which Randy proclaimed as a pure stroke of luck. In April 1973, Charlie Fach of Mercury Records returned to his office after a trip to France to find a stack of unplayed demo tapes waiting on his desk. Wanting to start completely fresh, he took a trash can and slid all the tapes into it except one which missed the can and fell onto the floor. Fach picked up the tape and noticed Bachman’s name on it. He remembered talking to him the previous year and had told Bachman that if he ever put a demo together to send it to him.”

Bachman shared further:

“’I could hear ‘Gimme Your Money Please’ playing in the background, and that was the first song on the tape. Back then, you sent out two 7+1/2-inch reels of your album, an A-side and a B-side, and that was side one, cut one. He said, ‘Randy, this is fabulous. Is the rest of the album like this?’ And I said, ‘Yeah, it’s all just good ol’, dancing rock-and-roll.’ So he said, ‘Well, I have a meeting with my A&R people, but as far as I’m concerned, this is great and I want to sign it.’

With their record deal in hand, the group needed a new name. While at a steak house in Ontario, one of the members saw a trucker’s magazine called Overdrive. Also from the Infallible Wikipedia:

“Turner wrote ‘Bachman–Turner Overdrive’ and the initials ‘B.T.O.’ on a napkin. The rest of the band decided the addition of ‘Overdrive’ was the perfect way to describe their music.”

The group’s most famous song, perhaps, is one which always gets crowds up and moving, hands inevitably being clapped in time to the memorable beat: Takin’ Care of Business.

Now, to be fair, I knew the group’s songs. I’d danced to them. Truly who had not heard of BTO? But I did not own any of their albums and would not be considered a super fan.

And, like most – if not all – successful musical acts, there comes a day when the people are not showing up in the tens of thousands to hear you; when your songs no longer get the radio air time; when your venues are now nightclubs frequented by 30 and 40 something baby boomers who had a rare night out and saw that you were in town.

Which brings us to March of 1995. The hubby had a business conference in Orlando. What better excuse did we need to pack up the two kids – ages 5 and (almost) 2 – and fly across the country for a few days at Disney World and explore Florida?

We rented a condo and a car and spent a couple days doing the Disney thing before the hubby had to go to his conference. The kids and I drove out to the Atlantic Ocean and got sunburned at Cocoa Beach; we went to SeaWorld; we hung out at the pool by the condo ; we played and had a great time.

But, like all vacations, the day arrived when once more we had to get on that plane and head home.

When my kids were little, I had a strategy for flying. If the plane had six seats across with the aisle in the middle, I would split the family up so that each child was in charge of a parent. I also made sure to book the window and center seats as being able to look out was good for at least two half hour segments of the plane ride.

Blair Thornton (right) on the inside of the “Not Fragile” album cover

And so it was when we boarded the plane in Orlando which would take us to Los Angeles and then to Seattle. Our seats were near the back of the plane with my daughter and I on the right side and the hubby and son on the left. Because we were traveling with children, we boarded before most of the other passengers.

The plane filled up. Among the last to board were a group of four: three men and one woman who had the four aisle seats: the two adjacent to our middle and window seats, and two aisle seats in the row in front of our row.

As I look up at my ‘seatmate’ – a forty something man with longish hair, I note the expression which clearly says, “Damn, I drew the Mom with the small child.” I had seen that look before. I’d probably given that look before.

What my seatmate did NOT know is that I was anything BUT the typical mom with the small child. I came prepared for every trip we ever took with an arsenal of activities. I had a half dozen favorite books. I carried snacks. My daughter had a tape player with headphones and listened to stories on tape. I would gift wrap small toys and give them out at various intervals to keep my children occupied.

On this particular trip I had made a ‘dollhouse’ for my daughter’s  two inch tall Playmobile Dolls out of three nested shoe boxes. The plane prizes for my daughter were some new dolls and small pieces of furniture to go in the house. That ‘house’ did wonders keeping her engaged.

Eventually, I struck up a conversation with my seatmate and learned that his name was Blair. I asked what had brought him to Orlando to which he replied that he was in a band that had played a gig there.

“Oh, might I have heard of your band?”

He smiled and said, “It’s ETO.”

ETO? Nope. I had never heard of ETO. BTO, yes. ELO – Electric Light Orchestra, yes. But not a band called ETO.

Two of the BTO albums in the hubby’s vinyl record collection

I shook my head and said I wasn’t familiar with it.

We chatted off and on throughout the flight. I learned that the woman sitting across the aisle was his wife. He had ordered the vegetarian meal option but didn’t like the doughnut which came with it so he gave that to me. In all, it was a pleasant flight. We were on final approach to Los Angeles when Blair turns to me and says, “You know, I was worried when I saw where I was sitting but your children are the best behaved kids I’ve seen on a plane… and I’ve seen a lot.”

I thanked him for his kind words, wished him well, and he deplaned, while we stayed on for the last leg to Seattle.

It was only AFTER they had left that I began to wonder who, exactly, had I been seated next to. I told the hubby the band was named ETO which, as one can imagine, got the ‘are you sure’ face. The identity of my seatmate was now bugging me. Once we got home, things were unloaded and the kids settled, I ventured into the closet where the hubby kept his collection of vinyl albums and thumbed through them until I found BTO. I flipped the album over and there on the back cover was the face of one Blair Thornton, the bass guitar player for BTO smiling back at me. I shook my head, irritated by my lack of asking additional questions of Blair.

I had noted that Blair wore a rather large hearing aid; something that seemed out of place for a guy his age. Apparently, however, I WAS the one who needed it that day. I kept the doughnut he gave me for a time but it wasn’t exactly the sort of memento one keeps from a rock star.

Instead the words echoed through my head… “Here’s something that you never gonna forget… B-b-b-baby, you just ain’t seen n-n-nothing yet” the day I flew across the United States with Bachman Turner Overdrive. 

Against All Odds

May 5, 2020

Phil Collins

If ever there were a singer songwriter who captured the romantic angst of the 1980’s it was Phil Collins. He recorded a string of hits which listeners purchased in numbers that sent seven of his songs to the top of the Billboard Charts.

Against All Odds was the first number one hit during his solo career. On May 5, 1984 it was in  the top spot for the third week in a row.

Originally, I was going to feature just the song but the more I researched, the more interested I became in learning about Collins and his impact during the 1970’s, 80’s and 90’s. The Infallible Wikipedia states that Collins is:

“an English drummer, singer, songwriter, multi-instrumentalist, record producer, and actor, best known as the drummer/singer of the rock band Genesis and for his solo career. Between 1982 and 1989, Collins scored three UK and seven US number-one singles in his solo career. When his work with Genesis, his work with other artists, as well as his solo career is totalled, he had more US Top 40 singles than any other artist during the 1980s. His most successful singles from the period include ‘In The Air Tonight’, ‘Against All Odds (Take a Look at Me Now)’, ‘One More Night’, ‘Sussidio’, ‘Two Hearts’ and ‘Another Day in Paradise.’

Born and raised in west London, Collins played drums from the age of five… (snip) He then pursued a music career, joining Genesis in 1970 as their drummer and becoming lead singer in 1975 following the departure of Peter Gabriel. Collins began a solo career in the 1980s, initially inspired by his marital breakdown and love of soul music, releasing a series of successful albums, including Face Value (1981), No Jacket Required (1985), and …But Seriously (1989). Collins became ‘one of the most successful pop and adult contemporary singers of the ’80s and beyond’. (snip)

Genesis

Genesis Band members in the early 1970’s, clockwise from bottom left, Phil Collins, Mike Rutherford, Steve Hackett, Peter Gabriel, and Tony Banks.

Collins’s discography includes eight studio albums that have sold 33.5 million certified units in the US and an estimated 150 million worldwide, making him one of the world’s best-selling artists. He is one of only three recording artists, along with Paul McCartney and Michael Jackson, who have sold over 100 million records worldwide both as solo artists and separately as principal members of a band. He has received eight Grammy Awards, six Brit Awards (winning Best British Male Artist three times), two Golden Globe Awards, one Academy Award, and a Disney Legend Award. He was awarded six Ivor Novello Awards from the British Academy of Songwriters, Composers and Authors, including the International Achievement Award. He received a star on the Hollywood Walk of Fame in 1999, and was inducted into the Songwriters Hall of Fame and the Rock and Roll Hall of Fame as a member of Genesis in 2010. He has also been recognised by music publications with induction into the Modern Drummer Hall of Fame in 2012, and the Classic Drummer Hall of Fame in 2013.”

In reading the rather exhaustive Wikipedia article, one is left with the impression that Collins wanted to be everywhere and involved in every creative endeavor during the height of his popularity. In addition to Genesis and his solo work, he managed to play drums and provide vocal backups for many of the other popular groups of the day; he was involved with TV and movies. Did voice work for Disney and wrote songs for the movies. And he paid for his workaholic behavior with the demise of three marriages.

Phil Collins drums

His strong personality and singular career focus has made him the target of much criticism over the years. While his undeniable talent has been lauded by many, there are those in the rock and roll world who derided Collins as a sell out to his acoustic rock roots by taking a more commercial approach to his career in the 1980’s.

When I think about music from the 1980’s it does seem to fall into two camps: the more cutting edge sound of a Michael Jackson or Prince, or the soft ‘pop’ of the era as exemplified by artists such as Collins, John Waite, and Wham!

The music of the cutting edge artists required one to stop and listen, while those in the latter group provided the backdrops for our lives.

I have often said, when the topic of the 80’s and music comes up, that it produced some of the best songs ever. Don’t get me wrong. I love the music of the 1970’s and a lot of the 1960’s. It was in the 1980’s, however, when there was a diversity of sound which appealed to pretty much anyone’s taste.

And, love him or hate him, Phil Collins was a big part of the decade.

The links:

https://en.wikipedia.org/wiki/Phil_Collins

https://en.wikipedia.org/wiki/Against_All_Odds_(Take_a_Look_at_Me_Now)