Tag Archive | Eisenhower High School Yakima

Anything Goes

Take A Bow

November 10, 2020

The cover from Eisenhower’s production of Anything Goes in 1975

Now, 86 years after the fact, the musical Anything Goes is showing its age. One thing about it has aged well, however, and that would be the music of Cole Porter. For those unfamiliar with the musical, here’s some background from the Infallible Wikipedia:

“Anything Goes is a musical with music and lyrics by Cole Porter. The original book was a collaborative effort by Guy Bolton and P. G. Wodehouse, heavily revised by the team of Howard Lindsay and Russel Crouse.The story concerns madcap antics aboard an ocean liner bound from New York to London. Billy Crocker is a stowaway in love with heiress Hope Harcourt, who is engaged to Lord Evelyn Oakleigh. Nightclub singer Reno Sweeney and Public Enemy Number 13, ‘Moonface’ Martin, aid Billy in his quest to win Hope. The musical introduced such songs as ‘Anything Goes,’ ‘You’re the Top,’ and ‘I Get a Kick Out of You.’

Since its 1934 debut at the Alvin Theatre (now known as the Neil Simon Theatre) on Broadway, the musical has been revived several times in the United States and Britain and has been filmed twice. The musical has long been a popular choice for school and community productions.”

The best way to describe Anything Goes is as a wild adventure with hidden identities, love triangles, and a whole lot of sexual innuendo. It was, in its day, considered inappropriate. Hence the title.

Despite its racy themes, Porter’s lyrics are masterfully written and crisp and so very sing able.

My readers will be forgiven if they’ve never heard of the show.

I had never heard of it either until December of 1974 when my high school choir director, Mr. Jim Durado, announced that our spring musical would be Anything Goes.

To be clear, I never had a shot for any sort of solo singing role in the production. In fact, Mr. Durado was legendary at our high school for somehow selecting musicals which seemed to ‘fit’ the students who filled the leads. That was, I’m certain, by design.

And so it was for Anything Goes. The lead role was for a female and he had a very talented vocalist who he cast as Reno Sweeney. More about that a bit later.

My role, however, was also a rather important one and I was selected by Mr. Durado specifically for it as surely as he picked any particular cast member.

It all began the previous spring when he asked me if I would be his Teacher’s Assistant (TA) for the following year. It required me to have TA as one of my classes. I said yes.

During the course of that year, I ran every errand, copied copious amounts of sheet music, tracked down students, kept attendance records, and made sure things happened on time. If there was a job to do, he gave it to me to get it done. When it came time to start rehearsals, my post was to sit at the mid-point of the theatre, three rows back from the stage, and follow along in the script. If someone needed prompting, I was the one to do it.

My photo was in the program along side all the lead actors

Every day after school – for three months – we rehearsed. I swear it became a muscle memory thing because to this day I can sing most of the songs without missing a word. For a number of years I could even say all the lines of every character.

It was a great experience and I am forever indebted to Mr. Durado for trusting me to do the job.

For Mr. Durado, however, 1975 turned out to be a time fraught with conflict. As a student, I was not privy as to what was going on his life. All I know is that there were moments when I would wonder what I had done to make him so sullen and incommunicative. It took months to learn the truth.

We were only a couple weeks in to rehearsals when the lead he’d chosen to portray Reno Sweeney told him she couldn’t take the role as she was very uncomfortable with the innuendo and believed it violated her faith. Thus the scrambling began to find a replacement. Another senior, Jennifer, was quickly selected and her part was then given to Mr. Durado’s own daughter. There was some amount of complaint from the cast who felt that a different girl deserved the role.

Reno and Sir Evelyn – aka Jennifer and Doug – during a performance

But the show, as they say, must go on. The next couple of months saw the production come together and, on March 19, 1975, Anything Goes opened. The page in my yearbook states:

“The eighty member cast worked three months in preparation for the standing ovations they justly received. Mr. Jim Durado proudly produced and directed his tenth musical production, one which originally opened on Broadway in 1934.”

By April, the intense schedule of rehearsals and a successful musical behind us, it was time to focus on recruitment for the next year. In addition to the main choir, there was a 16 person four part harmony swing choir, called Lancers. It was THE premiere vocal group at the school and dozens would vie for a coveted spot. Tryouts were looming for that and several performances by both groups were on the schedule.

One morning in mid-May, however, Mr. Durado was not at school. I cannot to this day recall exactly how I heard the news. It was probably announced to the whole choir when we arrived for class. But Mr. Durado had been shot by his wife. The bullet hit near his shoulder. He was alive and was in the hospital and that was all we were told.

That afternoon – in spite of the shock – the entire choir went to Franklin Junior High to perform a scheduled show. Somehow we got through it with a substitute teacher. The memory which sticks in my head from that day is that a group of a half dozen girls were walking out of the Junior High after the performance and everyone was talking about it; some of the girls were crying. All of us were upset.

I did go see Mr. Durado in the hospital a day or two later. He was making jokes about how bad a shot his wife was. It was surreal.

Less than a month after I graduated and heard little more about my teacher. The next year there was a new choir director who had huge shoes to fill. From Mr. Durado’s first musical production in 1966 until his last in 1975, he had built a dynasty.

Being in choir was cool. Those who were selected for Lancers were the coolest (I was not in that group!) It was getting to participate in the musical, however, that was everything. My oldest brother was in Funny Girl – which was Mr. Durado’s second production – in 1967. My cousin Susan was selected for the role of Mrs. Paroo in 1973’s The Music Man. That was also my sister’s first of two years in the cast; in 1974 both my sister and I were in The Most Happy Fella. I closed out our family participation with Anything Goes.

Mr. Durado moved back to his home state of Montana after he recovered from his wounds. From an adult perspective I cannot even begin to imagine how difficult the whole situation must have been for the family, especially for his daughters. No shortage of victims in this story but it seems as if it’s often the kids who are most hurt.

Mr. Durado lived out his days in Montana, taking his final bow on March 19, 2013…38 years to the day from the opening night of the last musical he produced and directed, Anything Goes.

A couple of links:

https://www.findagrave.com/memorial/195146855/james-rocco-durado

https://en.wikipedia.org/wiki/Anything_Goes

Fiddler On The Roof

Tradition!

November 3, 2020

Until November 3, 1971, this musical play could only be viewed on Broadway or in a community or school production. With the release of the movie, however, Fiddler On The Roof, cemented its place as one of the best musicals ever.

The 1971 Movie Poster

Prior to being made into a film Fiddler was a Broadway staple. The Infallible Wikipedia sheds a bright spotlight on its history:

“The original Broadway production of the show, which opened in 1964, had the first musical theatre run in history to surpass 3,000 performances. Fiddler held the record for the longest-running Broadway musical for almost 10 years until Grease surpassed its run. The production was extraordinarily profitable and highly acclaimed. It won nine Tony Awards, including best musical, score, book, direction and choreography. It spawned five Broadway revivals and a highly successful 1971 film adaptation and has enjoyed enduring international popularity.”

What’s so captivating about Fiddler is its unique story. The audience – from the first notes of the fiddle’s haunting tunes – is immersed in the pre-Russian revolution community of Anatevka.

Soon the viewer sees the world through the eyes of Tevye, a Jewish peasant ‘blessed’ with five daughters and no sons. Tevye narrates the entire play through words and song in an often humorous yet bittersweet evaluation of his – and his fellow villager’s – life.

What ties it all together, however, is the incredible music. From the foot tapping lament of If I were A Rich Man, to the witty Matchmaker, and the wistful Sunrise, Sunset, each song expertly captures the feeling of a unique time and place in history.

Fiddler – perhaps more than any other musical to grace the silver screen – is a serious film which explores the foibles of human nature and one’s ability to adapt to change.

I know I saw the film in the theater as a teenager and also a production of it at Eisenhower Sr. High (IKE) in Yakima in the spring of 1972. The IKE production, in fact, was the event which inspired my resolve to be in the choir since you had to be in that group if you wanted to perform in the musical.

I was in my ninth grade year – in junior high – when I wrote this diary entry on March 24, 1972:

“I went to ‘Fiddler on the Roof.’ It was very good, we had front row seats and I felt like the lead was singing to us in some parts. It was really neat.”

First of all, a big thank you to my parents for being first in line and purchasing the front row seats. Second, that is not the most eloquent bit of writing, but I’ll forgive my 14 year old self…at least she captured the moments. I bought a book of Fiddler songs on sheet music and learned to play many of them on the piano. I even sang Matchmaker for a talent competition… I no longer recall WHY I thought this was a good idea (it wasn’t) or the specific event… but I was much more fearless then.

A page from the 1972 IKE yearbook, Reveille, of the Fiddler on The Roof production. I wanted to be just like this group, on stage singing in a musical.

Years later, when my kids got to about ages 8 and 11, I hatched an idea. The hubby and I ordered and installed an 8 foot by 8 foot movie screen. A speaker system was set up to create surround sound and thus we created a part time media center in our living room.

This all coincided with my discovery that the King County Library ‘rented’ to anyone who held a library card films on DVD and VHS. And when I say rent, I mean for free. The catch was that you had to put a hold on the movies you wanted and then wait until the email notice arrived advising that a particular one was ready to be picked up. Much less expensive than Blockbuster and with an element of surprise; we never knew which movie would be the one for any particular Saturday night.

And thus began my mission to introduce my kids to every musical ever produced. My budding film critics soon developed opinions about every selection I brought home. My daughter, for example, declared the musical Carousel as The Worst. Musical. Ever. Personally, I would put it up against The Fantasticks for that title.

The Worst. Musical. Ever.

On the night of Fiddler, the sights and sounds of 1905 Russia filled the room and the whole family was enthralled. For me it was as if visiting with an old friend for a couple of hours. I tamped down my temptation to sing along and once again enjoyed the wonderful story and characters.

Finally, when I had exhausted all the musicals available through the library, I asked my children one day of all those we had watched, which was their favorite? While I don’t recall what my daughter said, my son did not hesitate: Fiddler On The Roof. An opinion he confirmed recently.

As for me and my dream of being in the cast of my high school’s musical… well, that’s a story for next week.

To learn more about the incomparable Fiddler, one needs only to access The Infallible Wikipedia:

https://en.wikipedia.org/wiki/Fiddler_on_the_Roof

https://en.wikipedia.org/wiki/Fiddler_on_the_Roof_(film)

American Graffiti

Where Were You In ’62?

August 11, 2020

AMerican graffitiWhen one thinks of Modesto, Californina, it is likely to be associated with an American experience which occurred primarily from the 1950’s through the 1970’s. Having a car had become a status symbol and driving it among one’s peers – or cruising as its known – became an essential element of growing up. On August 11, 1973, the film American Graffiti was released, serving to enshrine the cruiser phenomenon into our shared culture.

The film was a dark horse hit that year, capturing five academy award nominations including one for best picture. It was George Lucas’ first film, show-casing his talent as an ‘outside the box’ filmmaker.

The original budget was only $600,000, which forced Lucas to use mostly unknown actors, a limited film crew, and to secure low cost contracts for the music. The lack of money kept the film from having an original soundtrack, only two cameramen, and truly the launched the careers of Richard Dreyfuss and Harrison Ford.

To encapsulate the main plot, we turn to the Infallible Wikipedia:

“On their last evening of summer vacation in September 1962, recent high school graduates and longtime friends Curt Henderson and Steve Bolander meet two other friends, John Milner, the drag-racing king of the town, and Terry ‘The Toad’ Fields, in the parking lot of the local Mel’s Drive-In in Modesto, California. Curt and Steve are scheduled to travel ‘Back East’ the following morning to start college. Despite receiving a $2,000 scholarship from the local Moose Lodge, Curt has second thoughts about leaving Modesto. Steve gives Terry his 1958 Chevrolet Impala to care for until he returns at Christmas. Steve’s girlfriend, Laurie, who is also Curt’s sister, arrives in her car. Steve suggests to Laurie, who is already glum about him going to college, that they see other people while he is away to ‘strengthen’ their relationship. Though not openly upset, she is displeased, which affects their interactions the rest of the evening.”

Rather than have a main protagonist, Lucas saw the four main male characters has being equal, all based on various stages of his adolescent self. Although somewhat cliché’ now, the four loosely represent the college man, the popular guy, the nerd, and the greaser. The entire movie takes place during the one night and culminates the next morning with information as to what happens with each of the four. At the time it was a unique storytelling method.

As word started to get around Universal Studios that the film was good, funds were put in place for marketing and other studio support. It paid off. Also from the Infallible Wikipedia:

dreyfuss

Richard Dreyfuss as Curt Henderson

“Produced on a $777,000 budget, it has become one of the most profitable films of all time. Since its initial release, American Graffiti has garnered an estimated return well over $200 million in box-office gross and home video sales, not including merchandising. In 1995, the United States Library of Congress deemed the film ‘culturally, historically, or aesthetically significant’ and selected it for preservation in the National Film Registry.”

hARRISON FORD

Bob Falfa, aka Harrison Ford

Perhaps the thing I find most interesting about this film as well as others from the 1970’s (see my post from July 28th on the film Animal House; link below) is that the adults in charge at that time truly did not understand the impact the Baby Boomers exerted on the culture. 1973, the year that American Graffiti appeared, there were 37 million teenagers and another 21 million in the generation were ages 20 to 27. For those 58 million people the storylines in American Graffiti resonated.

On the day the movie was released I was 16 years old, possessed a ten day old driver’s license, and lived in a city where the cruising culture was king.

yakima mid 1960's

This is the Yakima I remember as a girl in the 1960’s. I’ve seen this photo dozens of times and the bustle never ceases to amaze me.

Everyone there knew the term “Dragging the Ave” which meant cruising up and down Yakima Avenue. Initially, I was forbidden by my parents to drive on the Ave after dark. But, being the youngest of four, the other three had done an outstanding job of bending the rules for me and I’m not sure what, exactly, happened, but by the time I was a junior in high school, I was a regular in the Friday and Saturday night promenades.

One thing I never did was drag the ‘Ave’ solo. I participated with a variety of friends, but my frequent partners in crime were my two best buddies who – to provide them a bit of anonymity – will henceforth be called by their aliases Deborah and Cynthia.

On the particular night which stands out, it was Deborah riding shotgun. A warm summer’s evening and the opportunity to see and be seen was at its best.

SchoolLogo_1403Now, in Yakima in the mid-1970’s, there were two major high schools: AC Davis and Dwight D. Eisenhower (IKE). Yes, there were other high schools in the surrounding communities, but those two were the biggies. We attended IKE.

To us, those who attended Davis were cross-town rivals and somewhat of a mystery; a forbidden fruit, if you will. Although we recognized a few who attended Davis, for the most part we didn’t know them and they didn’t know us.davis

So Deborah and I are driving along and, at one of the stoplights, a car carrying a couple of guys is idling next to my car and we engage in a shouted conversation between the two vehicles. Mostly it’s Deborah doing the talking out the passenger side window. There’s flirting and banter. The light changes, we drive on.

At the next light, or perhaps the one after, first names are exchanged. Then one of the guys says to Deborah, ‘what’s your last name?’

To which she replies, “Guess.”

The two of us giggle away as the guys venture forth with such answers as “Smith? Jones?”

Deborah replies, “Nope.”

More names are proffered then followed by the same question “what’s your last name?”

And the same answer “Guess.”

This went on for at least two runs up and down Yakima Avenue as the guys try to get us to stop and meet them in person. The name guessing continues until Deborah says to me “These guys are not very bright, are they?”

All because they kept asking the same question and never understanding that she was, in fact, telling them her last name. Every. Single. Time. By now you, the reader, should have ‘Guess’-ed it, but they never did.

Once we became bored with the game, I managed to ‘lose’ them and soon the night was over and by the time I was 19 or 20, ‘Dragging the Ave’ had lost its appeal, relegated to the status of a cultural reference.

Thanks to American Graffiti, that phenomenon is preserved. Future generations who happen upon the movie will, perhaps, regret that they did not live in the era of muscle cars, cheap gas, and summer nights dragging the Ave.

Although the tagline was ‘Where were you in ’62?’ it was the summer of ’73 and American Graffiti which was the defining year for the Baby Boomers.

The links:

https://en.wikipedia.org/wiki/American_Graffiti

https://barbaradevore.com/2018/04/17/1965-ford-mustang

https://barbaradevore.com/2020/07/28/animal-house

 

Answer to the Facebook question: Van Nuys Blvd, Los Angeles. 1972

cruising van nuys blvd 1972

The Oracle of Bacon

One Degree or Another

September 4, 2018

kevin bacon kyra sedgwickToday’s historical event really isn’t that much of an event but more an excuse to write about a topic which amuses this author. First of all happy 30th wedding anniversary to Kevin Bacon and Kyra Sedgwick. They were married September 4, 1988. Unlike a great number of Hollywood marriages, their marriage has lasted three decades and, apparently, they’ve only ever been married to each other!

But as I said, that event is but an excuse to write about the cultural phenomenon known as the “Six Degrees of Kevin Bacon.”

The genesis of the concept first appeared in 1996 when four Albright college students watched two movies one evening, both of which featured Kevin Bacon. No doubt, as these things go, the four probably had been consuming alcohol when they began speculating on the connections between Bacon and other actors.

Bacon himself said in an earlier interview, in January 1994 with Premiere magazine, that he “had worked with everybody in Hollywood or someone who’s worked with them.”

From the Infallible Wikipedia, here’s how it works:

animal-house-kevin-bacon

Kevin Bacon (Right) as Chip Diller along with Kent Dorfman – played by Stephen Furst in the classic Animal House.

“Six Degrees of Kevin Bacon is a parlor game based on the ‘six degrees of separation’ concept, which posits that any two people on Earth are six or fewer acquaintance links apart. Movie buffs challenge each other to find the shortest path between an arbitrary actor and prolific actor Kevin Bacon. It rests on the assumption that anyone involved in the Hollywood film industry can be linked through their film roles to Bacon within six steps. In 2007, Bacon started a charitable organization called SixDegrees.org.”

In the past 20 years, the concept has become a cultural phenomenon, and references to the game have been made in movies, books, TV and even a couple of parody songs. Despite his initial dislike of the game, Bacon himself has come to embrace it and, no doubt, it has been a benefit to his long career.

Also from the Infallible Wikipedia:

“In 2009, Bacon narrated a National Geographic Channel show ‘The Human Family Tree’ – a program which describes the efforts of that organization’s Genographic Project to establish the genetic interconnectedness of all humans. In 2011, James Franco made reference to Six Degrees of Kevin Bacon while hosting the 83rd Academy Awards. In the summer of 2012, Google began to offer the ability to find an actor’s Bacon number on its main page, by searching for the actor’s name preceded by the phrase ‘bacon number’. EE (UK internet provider) began a UK television advertising campaign on November 3, 2012, based on the Six Degrees concept, where Kevin Bacon illustrates his connections and draws attention to how the EE 4G network allows similar connectivity.”

oracleTo find any actor’s ‘Bacon Number’ you can go to this link: https://oracleofbacon.org/

Even those of us who are not actors and have never appeared in a movie with or without Kevin Bacon can, however, discern our ‘Bacon Number’.

I went to the link and then figured out ‘who’ I personally know who might have a connection. What I discovered: my Bacon number is Three.

Kyle MacLachlan Twin Peaks

Kyle Maclachlan in Twin Peaks

How? I went to high school with Kyle MacLachlan (he spelled it McLachlan then) at Eisenhower HS in Yakima. Kyle, for those who do not know, starred as Special Agent Dale Cooper in the TV show Twin Peaks and also as Paul Atreides in the movie Dune. He’s had a decade’s long, solid acting career. His Bacon number is Two assigned as follows: He was in a Twin Peaks episode with James Marshall who was in A Few Good Men with Kevin Bacon.

michael Tucker

Michael Tucker

Or, I can get to Kevin Bacon through my brother who had a minor walk on role in the movie The Secret Life of Archie’s Wife (1990) starring Michael Tucker. Michael Tucker was in Diner (1982) with Kevin Bacon. So via this connection I also get a Bacon number of three. Kevin (0) – Michael (1) –Peter (2) – Barb (3).

Now let the games begin… what is YOUR Bacon number?

And a couple of links:

https://en.wikipedia.org/wiki/Six_Degrees_of_Kevin_Bacon (Yes, there really is a Wikipedia page JUST for this!)

https://en.wikipedia.org/wiki/Kevin_Bacon (And one for the actor himself)

https://en.wikipedia.org/wiki/Kyle_MacLachlan (Yakima’s famous son has one too!)

https://en.wikipedia.org/wiki/Michael_Tucker_(actor) (As does Michael Tucker)

I plucked this historical photo of Kyle (right photo, wearing the all black outfit) from the pages of my high school annual (I was the Editor so I probably handled this photo and, possibly, either wrote or made changes to the caption) in one of his early roles acting. He would have been 16 in this photo. Kyle M early years.jpg

This entry was posted on September 5, 2018.